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COMMERCIALS

Designed from the ground up for demanding operations and client attended sessions, with an extremely fast and interactive user interface and real-time image processing, Marquise Technologies products are perfectly suited for working on commercials. Whatever the original material has been shot on (film, video or digital), our solutions team up together efficiently to deliver on time dailies or final grading and mastering. Files are supported in their native formats and no import or ingest operations are required. For video based workflows, the tapes can be ingested from within the same interface, according to an EDL, XML or AAF composition.

AT THE FOREFRONT OF DIGITAL FORMATS

Our systems do play with ease materials like the ARRI Alexa RAW, Red Epic R3D or Cannon H264. With the support of multiple RedRockets, even full resolution stereoscopic workflows for the Red Epic become a streamlined process.

SOUND DIMENSION

Working with the native material in real-time is not only limited to image files, is also extended to audio tracks. All our products support multiple 24bits broadcast quality audio tracks per clip, or global.

TRADITIONNAL TELECINE

For classic telecine dailies and commercials, O C E A N delivers the required performance with and extended support for the major telecines such as the DFT Spirit and Shadow as well as the Cintel Millennium HD and DSX.

RELATED PRODUCTS

USERS EXPERIENCE

GARNIER FRUCTIS

London-based DoP, Stuart Bentley and Freestudios teamed up to grade another commercial.

NESTLE LE PARFAIT

Directed by Julien Seri, for Tasmanie agency and shot with a RED One camera.